Have you ever looked at a book or a movie and thought ‘this looks filled with all of the things that I don’t like so I should avoid it’ and then go ahead and read the book or watch the movie? That was exactly how I came to read this book. Stephen King’s classic horror novel has recently been adapted into a movie for the second time and there has been a lot of press about it.
I ended up reading an interview with King where he explained why he thought this was his scariest novel and I decided that I had to read it. I’ve read Stephen King before and I do enjoy his work, Misery is one of my favorite novels. That being said, horror really isn’t my genre. And I am that animal lover that can take human death in TV shows, books and movies but the animal ones leave me wrecked. Finally, losing my mom two years ago has left me sensitive to grief-stricken characters which isn’t a bad thing but the thought of resurrection of dead loved ones in a fit of grief is a bit much. All reasons to skip this book but once I’m intrigued, it’s hard to talk me off something.
I listened to this book on audio, which can be make or break based on the narrator. Micheal C. Hall of Dexter fame was the narrator and it was perfect. His monotone, dead sounding voice that he used on his narration of Dexter made this book all the creepier.
Though this book could’ve been triggering and traumatizing for me, surprisingly it wasn’t and I am glad that I read it. King is known for horror but beyond genre he really needs more accolades for how talented of a writer he is. The characterization and descriptions in this novel are gorgeous and literary. And in this book, he scares the readers not in the traditional sense of suspense of the unknown but instead from the tension and inevitability of what will happen.
The story follows the Creed family who moves to Maine from Chicago. Louis has accepted a position as a college physician at the local University and he brings his wife Rachel and two children, Ellie and Gage and their cat Church. Quickly, Louis makes friends with his neighbor Jud Crandall, an elderly man with a thick Maine accent (you have to listen to the audio book to fully appreciate it). The family lives on a dangerous road that is overrun by semi-trucks all day and night. Early on, Jud warns them about the dangerous ‘rud’ especially for pets and children. Foreshadowing at it’s most blatant.
Jud shows the family a pet cemetery on their property that the neighborhood kids have used to bury their dead pets for generations. Louis and Ellie think it’s cool, but Rachel is not amused. We learn that she has her own fraught relationship with death from losing her sister at a young age.
As the book foreshadowed from the beginning, Church gets hit on the road and dies while Rachel and the kids are in Chicago for Thanksgiving. Louis doesn’t know how he’ll tell Ellie that her beloved pet died so Jud takes him beyond the pet cemetery to bury the cat and the next day he’s back. But Church is different, he smells, he kills birds and hisses at Louis.
Tragically, their son Gage crawls into the road and also gets hit by a truck. And we watch a grief-stricken Louis try to talk himself out of bringing him back, but the internal battle is lost before it even begins and of course there are consequences.
“They don’t come back the same.”
– Jud Crandall, Pet Semetary
The terror in this book, at least for me, isn’t in what returns from the dead but the chokehold of grief on Louis that makes him do something that he knows is wrong. Intelligently, Louis knows this won’t work and that his son won’t be what returns, but he can’t stop himself at the thought that he could have one tiny shred of his little boy back.
As someone who has grieved, is still grieving, I completely understand. The horror relied in the building tension of a decision that the reader knows is coming and nothing can stop disaster from ensuing. I really enjoyed this book; it shows what a true master Stephen King is at writing a compelling narrative. At times I wished the plot moved quicker, but overall, I was entranced.